Motown

(“The famous one”)

**This is a discography for Motown Records – what we call “Motown” wasn’t just one label, and the other Motown imprints and labels are listed here. If you’re looking for a full list of every ‘Motown’ single (i.e. everything the company released, including Tamla, Gordy, Soul, VIP etc.), try the Master Index instead!**

Berry Gordy Jr’s second label after Tamla, Motown Records (a contraction of Motortown, one of the nicknames for the label’s home city of Detroit, Michigan) became the flagship imprint, as well as the biggest and longest-lived label in the Motown family, giving its name to the parent corporation.

Initially conceived as a second department within the company in order to release more records without compromising the Tamla sales and distribution force, Motown Records came about mainly because radio stations shied away from playing too many records from the same label, lest accusations of favouritism and payola arise; splitting the catalogue into two “different” labels could get around such restrictions. To that end, the initial plan was that group acts would be released on Motown, while solo acts would be assigned to Tamla, though that distinction very quickly broke down.

Motown quickly assumed a dominant position in Gordy’s portfolio. Its main function seems to have been to release records geared towards the pop charts (as opposed to the R&B chart), and to that end a fair number of MOR pop acts were signed to the Motown label, alongisde a few of Motown’s most massive acts (besides the ubiquitous Supremes, Motown Records was home to Mary Wells, the Four Tops and the Jackson 5). In doing so Motown Records managed to inadvertently maintain the artistic R&B credibility of the Tamla and Gordy labels, which together with this one formed the “big three” Motown labels.

The first release on Motown Records was the Miracles’ Bad Girl in September 1959, although this was an extremely limited run; the first “proper” Motown release was the Satintones’ My Beloved a month later.

Motown Records went on to release more records than any other label in the group, including several of the best and best-known Motown songs. The label staggered on long past its prime, through the late Seventies (when hits from the likes of the Commodores and Diana Ross kept the cash flowing in) and into the mid-Eighties as the various other subsidiary labels were wound up or merged under the Motown Records name, this one eventually ended up as the only imprint left standing before Gordy sold the entire company to MCA in June 1988. The final Motown release as an independent company was Brownmark’s I Can’t Get Enough Of Your Love, released in May 1988.

Here’s a list of the Motown Records singles that have been covered on Motown Junkies so far.

MOTOWN RECORDS: 45 DISCOGRAPHY (1959-1965)

* The M 1008 catalogue number was also briefly used for one pressing of the Supremes’ I Want A Guy, usually listed as Tamla T 54038.


(Click a song title to read a full review of that side. NB: The coloured numbers after each title indicate the highly subjective mark out of ten I gave that song on the day I happened to write about it. They weren’t intended to be taken too seriously.)

2 thoughts on “Motown”

  1. Robb Klein said:

    Didn’t Gordy sell Motown to MCA (rather than RCA-as you stated above)?

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