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Motown M 1004 (B), November 1960
B-side of Oh Lover
(Written by Berry Gordy)
In contrast to the fun, uninhibited A-side Oh Lover, here Berry Gordy provides his newly-teamed duettists with a slower, slicker doo-wop number.
Unlike the A-side, on which Taylor and Ward took alternate lines, this one features a pleasing two-handed attack in which both sing the song together, Ward on bass/baritone and Taylor on tenor/falsetto.
It’s every bit as good as the A-side, boosted by a jangling guitar backing and the fun the two singers are evidently having (meaning that this time, there are shades of Marvin and Tammi to be enjoyed).
Ward would go on to record sporadically with Motown through 1964 (the liner notes to The Complete Motown Singles: Volume 1 also reveal that he cut an unreleased Motown duet single with Mable John, proving that Gordy felt the concept had legs), but after Oh Lover failed to chart, there would be no more Motown releases for Sherri Taylor.
That’s a shame, because she had a fine voice and plenty of character, and could conceivably have gone on to become a star. Instead, after a couple of abortive post-Motown attempts to relaunch her career in the early Sixties, she disappeared off the radar altogether before recording a new single, Weak Hearted, for Ian Levine’s Motorcity project in 1991.
VERDICT
* * * * * * * * * *
6 / 10
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
(Or maybe you’re only interested in Singin’ Sammy Ward or Sherri Taylor? Click for more.)
Sherri Taylor & Singin’ Sammy Ward “Oh Lover” |
Henry Lumpkin “I’ve Got A Notion” |
Damecia said:
Oh no! My prediction about Sherri Taylor on the “Oh Lover” review came true (lol). What a shame though she had a great voice. This song is okay. I wished that Singin Sammy would have been less louder.
Well…this is the time traveler kid’s (me!!) last song of 1960. My top 3 Motown singles of 1960: (1) “Shop Around” as I stated on the “Shop Around” review not only was this the best Motown single of 1960, but the best besides “Money” that the company had released. The Miracles up-tempo sound suited them well! (2) “Bye Bye Baby” Mary Wells sounded nothing like anything that had come out of Motown before. The future looked bright for her! (3) “You Knows What To Do.” This mid-tempo song offered somes blues, but was still pop enough. Strong’s swag on this song was also undeniable. Overall, the 1960 singles are a major improvement from the 1959 singles.
1961 here I come!!!
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Ricky said:
This song is alright its not as good as the A-Side. I agree with Damecia, Sammy was drowning Sherri he was a little loud and it sounded as she tried to be heard lol But i agree with the verdict!
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Mickey The Twistin' Playboy said:
I’ve tried to lack this track but other than decent vocals, the production and arrangement does little for me no matter how many times I listen to it. Rating: 4/10.
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bogart4017 said:
So, so primitive!!! Real inner-city Detroit music. And thats why i love it so much.
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