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Motown M 1021 (B), October 1961
B-side of Jamie
(Written by Brian Holland, Freddie Gorman and Robert Bateman)
Fontana H 387 (B), March 1962
B-side of Jamie
(Released in the UK under license through Fontana Records)
Ah yes. This is much more like it.
The pedestrian pop of the A-side Jamie had propelled Eddie Holland to the pop Top 30 first time out on his return to Motown, but this – the first time Eddie sang a song which sported a writing credit by his little brother Brian – is a whole different proposition, a dramatic, lolloping midtempo R&B ballad featuring some of Brian Holland’s trademark unusual chords as well as one of Motown’s first prominent brass parts.
It’s also strikingly better than the A-side. The backing track is almost country and western in its 4/4 guitar and 6/8 drum patterns, but the maturing Funk Brothers nail all their marks in one of the most professional musical performances Motown had yet seen, a precursor of the time when such perfectionism would be de rigeur at Hitsville sessions.
Meanwhile, Holland is on spectacular vocal form, belting home a cold open totally acapella for a few seconds before the band track starts up, and then delivering the simple lyric with a plaintive, desperate tone, hitting a series of ambitious long high notes. The Jackie Wilson comparisons are easy to make, but that was never a bad thing. All the while, lush layers of female backing singers and a series of unexpected (but somehow perfectly needed) horn flourishes in the chorus combine to wrap him in a quite beautiful little tune. Check out the effect at 1:35, when the backing vocals take up the main vocal line for a one-off shot at the chorus, mixing pop and opera styles all at once, before the brass section comes back in, coming on like a parping bandstand brass band – and yet, again, not incongruous as might be expected.
Choose me, I’m a winner, Eddie exhorts us at 2:01, and you wouldn’t doubt him for a second.
Never commercial enough to be a single, there’s no arguing with the decision to make this the B-side, but it’s so far out in front of Jamie it’s not even funny. A clear statement of intent, both from the singer – who had slogged through two years of flops at United Artists without ever hinting he had this sort of performance in him – and from the writers, each of whom was making a real name for themselves. Quite superb.
MOTOWN JUNKIES VERDICT
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
(Or maybe you’re only interested in Eddie Holland? Click for more.)
Eddie Holland “Jamie” |
The Valadiers “Greetings (This Is Uncle Sam)” |
Rick Bueche said:
Must of what Eddie did as a soloist is highly underrated. His lone solo album holds up well with time and his tenor voice was gorgeous. He had quite a range. In fact, you can hear him vividly backing Mary Wells on He Holds His Own and with the Supremes on I’m In Love Again, Always In My Heart, Send Me No Flowers etc. He was an important element to the development of the Motown sound
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nixonradio said:
Indeed. It’s always struck me as a shame that although he had such a great voice, his stage fright meant he was the only one of the HDH trio not to resume some sort of solo career after leaving Motown.
I’d never even heard of this song, let alone listened to it, before The Complete Motown Singles, but it’s quickly become one of my favourites from the era.
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Ricky said:
This is one of Eddie Holland best songs he sings this with great emotion like he really means that thing. The Funk Brothers are geniuses and so is Brian. This should have charted along with Jamie as well at lease on the R&B charts. Marvelous!! 9/10
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msongs said:
would be much better without all that background mess. the horns bleat out of flow, and the bg vocals are harsh. dump the mess and slap on some strings with the basic groove and voila, a much better track IMO
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Slade Barker said:
This isn’t HALF as good as “Jamie.” Pedestrian, indeed! This one is a curio, “Jamie” is a classic.
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