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Gordy G 7034 (B), July 1964
B-side of Baby I Miss You
(Written by Brian Holland, Lamont Dozier and Edward Holland Jr.)
Wow, just listen to those drums!
“Recorded live at the Duchess Lounge, Detroit”, it says in the liner notes to The Complete Motown Singles: Volume 4, with no further explanation – so I’m not sure if this, Tommy Good’s one and only Motown B-side, was recorded during an actual live show (there’s no discernible audience, for example), or whether “recorded live” just means it was run through at what we’d now call a soundcheck, rather than pieced together from studio tracks. Either way, though, this is surprisingly energetic, especially thanks to drummer Jimmy Lawrence (his identity confirmed by Tommy himself in the comments section below!) – he’s on fire (possibly literally), beating the living hell out of their skins with a demented syncopated shuffle.
If this was a soundcheck recording that ended up being polished for use on a 45, it’d make sense for a couple of reasons. Firstly, it’s a strange choice of cover – Eddie Holland’s original version of Leaving Here had only come out six months ago, and though Motown would later think nothing of releasing versions of the same song so close to each other they’d cannibalise each other’s sales, the company wasn’t really into doing that sort of thing yet. Secondly, this record isn’t really about Tommy Good at all, it’s much more an extended instrumental jam session for organ, horns and (obviously) drums, a pickup game that Tommy has just wandered into and grabbed the mic. This just isn’t his song, in almost every sense.
It’s less charming or likeable than Eddie’s original, both because Eddie’s not on it (which isn’t Tommy’s fault, obviously) and because Tommy sounds as though he’s surplus to requirements (which is his fault). He doesn’t do anything particularly wrong as such – he’s clearly a capable vocalist, and I do like his voice – but he sounds as though he’s singing along to the band track from Eddie’s version, and turning in a slightly softer-edged cover, lapsing into spoken-word asides (“They’re getting tired of us. Sick and tired.”), while the band have turned everything up to eleven and are busy going absolutely nuts all around him, and so I end up almost tuning him out.
I don’t know if this even needed a lead vocal on it, to be honest; the rest of the record is a crazed amphetaminesque attack that comes out of nowhere (this is a good thing!), pretty much the exact sort of material I’d have liked to see Earl Van Dyke and the Funk Brothers turn in on their own headlining records rather than the cozy organ-led remakes of Motown pop hits we usually ended up with. But that’s a story for another day, I guess.
A pity for Tommy, whose Motown career wasn’t officially over (he’d have lots more recording sessions in Detroit and California before finally parting company with the label), but of whom we’ll be seeing no more on Motown Junkies. Still, it’s a cool enough note to bow out on, even if in this particular instance most of the credit is due to other people – and to the stellar drumming of Jimmy Lawrence in particular.
MOTOWN JUNKIES VERDICT
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
COVERWATCH
Motown Junkies has reviewed other Motown versions of this song:
- Eddie Holland (December 1963)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
(Or maybe you’re only interested in Tommy Good? Click for more.)
Tommy Good “Baby I Miss You” |
Carolyn Crawford “My Smile Is Just A Frown (Turned Upside Down)” |
DISCOVERING MOTOWN |
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The Nixon Administration said:
When I finished that entry, WordPress popped up a little message for me saying “That isn’t writing at all, it’s typing” – Truman Capote.
I know it was probably randomly assigned from a pool of quotes with the word “writing” in them, but I can’t decide whether to be mock-offended at the dig, or mock-pleased at the implied comparison with Kerouac.
Anyway, hello everyone, sorry about the rather slow pace of new entries recently. Normal service will be resumed etc etc.
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Dave L said:
“I’ll Turn To Stone” would eventually make the same kind of fast rounds: first a live version on Four Tops Live, December 1966, a studio round two months later on Supremes Sing Holland-Dozier-Holland, then a Tops studio version four months later on the backside of “7-Rooms of Gloom.”
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BillyGTexas said:
Not a bad cover, but it really needed the Andantes and a more committed vocal from Tommy to push it over the top.
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tommy good said:
Leaving here was recorded live at the Duchess lounge, one time through, with just myself and the Tabs, Bill Mesheau played Hammond B3 organ ( I hope the spellings close ) Rick Maxwell played Guitar, Jimmy Lawrence played Drums and Stan Adams played Sax. Lawrence Horn from Motown was the engineer. Leaving here was to be one of 12 songs to be in a live album to be released at some time in the future ( it was never released )
I chose to sing Leaving here not as a vocal showcase song but as an exciting first tune in the set song, a get your attention song, and the fact that I liked it. I had many other songs that I could pick to showcase my range, soul and style. I was very surprised when Berry Gordy picked Leaving here for the B side to Baby I Miss you. I thought that I had better songs for the B side, But I had no say in the matter.
Jimmy Lawrence is a fabulous drummer, he played many styles and he cooked his butt off on Leaving here. He was great to work with and had a great sense of humor, I hope he’s still playing. We, the Tabs, were a group that could play dance sets, show tunes, comedy, blues and Jazz.
I appreciate your comments, on my Motown Collection CD, many of the songs on the CD were never mastered ( not refined and made ready for release) although my good friend Paul Nixon did a great job getting the songs ready for the CD. I would also like to make clear that none of us were encouraged to write our own lyrics. Look. I was happy to be with Motown and felt privileged to be chosen by Berry Gordy to be one of his singers. I would have sung the phone book for Berry.
I thought long and hard about commenting on your criticism of Baby I Miss You and Leaving here and finally decided to do so. You have put a lot of effort in your opinion and I don’t want you to think that I don’t appreciate it, I do. Thanks, I hope this clears up some points for you.
Tommy Good
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The Nixon Administration said:
Firstly, Tommy, thank you so much for dropping in and commenting, I’m absolutely honoured!
Secondly, I’d like to play one of your tracks on my radio show this Saturday and give you a shout out. I’d particularly like to spin “Give Me Something” (my favourite track from your Motown Anthology CD) if that’s OK with you?
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Ricky Maxwell said:
Tommy,
I wanted to tell you that your CD sounds great and I have wounderful memories of your vist ot Arizona to see my dad.
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tommy good said:
Ricky, It’s so good to hear from you, I hope all is well with you and your sister. Your dad was a fantastic guitarist and friend to me as was your mother, I miss them still. Whenever I get a chance to mention the Tabs and your dad ,Rick, I do. He was a big part of my musical career.
Tom Good
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Richard Maxwell said:
Tommy,
My sister and I are doing well thank you for your reply. I did not get a chance to really ask my dad a lot about his musical career and now that I am a father I would like to tell my 3 girls (I am following in my fathers footsteps) about their grandfather. I know that music was something that he loved dearly and that playing in the band with you was something that he cherished. I would like to get in touch and talk about some of the stories my dad told me.
Take Care and hope to hear from you soon.
Ricky
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tommy good said:
Thank you for playing “Give me something” this coming Saturday on your radio show. It’s people like you and all the friends and fans in the UK that have made it possible for me to hear the songs that were in the vault. I had a fabulous time singing for my friends at the weekender 2 in Northampton. The recgnition that I have received from my CD “the Motown Collection” would not have happened if not for my friends in the UK. So thanks again.
Tommy Good
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The Nixon Administration said:
We spun the track this morning and gave Tommy a “shout out” – the show can be heard online here for 7 days:
http://soundcloud.com/soulfulsaturdaybreakfast/soullful-saturday-breakfast-on
(The bit in question is at 1hr 06mins, just after the Donna Summer track. Hope you like it!)
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Robb Klein said:
Thanks for your comments, here, Tommy. It’s really nice to hear from people who made the music way back in the day. So far, we’ve had you and Cornell Blakely comment on this site. I enjoy all your comments on Soulful Detroit Forum. I hope we can get other posters from there, like Frances Nero, Clay MacMurray, Spyder Turner to post here as well.
I’m a big fan of yours. When i first heard “Baby I Miss You”, I bought it right away. I looked forward to hearing and buying a follow-up. But, to my chagrin, it never happened. I was sorely disappointed. I’m really glad to hear your vaulted, unreleased cuts (and I played a part in that, while working for Motown in the 1970s, working on The “From The Vaults” project.
I had picked out your version of “She’s A Living Doll” to release on a later album, but the project was dropped after only one album. I also picked out “In The Neighborhood”, which was listed as by you. But, we later found out that that recording was really sung by ivy Hunter (as a demo) for Jimmy Ruffin. Did you record that song at all?
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Sue McCormack Dean said:
Hi, I was amazed to see that Tommy Good was replying on this page. I have been wanting to get in touch with him again for ages. When he came to Northampton to sing I picked him up from the Airport. My daughter absolutely adored Tommy and they did keep in touch but then she lost his number. When he left to go back to America he gave Paris a sheet that had the words to Ask the Lonely on and he signed it for her and she gave him a parting gift of a very large ladybird soft toy. Would be over the moon if anyone can put us in touch again. We always talk about the time he was over here and sang for us all in Northampton.
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The Nixon Administration said:
Hi Sue,
Tommy is a great guy (and a good sport for coming on here!) His e-mail address should appear if you click his name in the comments above. Good (!) luck.
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Robb Klein said:
As for Tommy’s version of “Leaving Here”, I don’t like it nearly as much as “Baby I Miss You”. To me, the song isn’t all that good, and the instrumental isn’t nearly as good as that of Eddie Holland’s version. And this song is not really in Tommy’s style. He’s a “sweet” singer, and so, does better singing “sweet” melodies like “Baby I Miss You”.
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