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Motown M 1067 (B), October 1964
B-side of Sweet Thing
(Written by Harvey Fuqua and Gwen Gordy Fuqua)
Tamla Motown TMG 514 (B), May 1965
B-side of Sweet Thing
(Released in the UK under license through EMI / Tamla Motown Records,
credited to “The Detroit Spinners”)
As with Mickey McCullers’ Who You Gonna Run To, this is another song where Brenda Holloway’s discarded cover has spoiled me for all other versions, including this original.
As with Who You Gonna Run To, it’s also important we don’t overlook that this is a really good song. The melody gets stuck in your head for days, the anguished narrator/angelic backing vocals arrangement is striking, there are cod-military march sections peppered throughout which just grab the attention… there’s so much to like. But the Spinners’ version isn’t the one to go for.
A disarmingly frank plea for forgiveness (you might think the title means “How can I make it right?”, but the first line is in fact “How can I go on living without you?”, which is much darker), both Brenda and the Spinners beg for mercy against a backdrop of horns and a barrage of Sixties easy listening proto-psychedelia – not least a choir of simpering backing vocals cooing doobie-doobie-doo! in high, floaty tones.
It seems to work better for a female narrator, for some reason. Perhaps Brenda just plays the capricious philanderer more sympathetically than Bobbie Smith – when Bobbie and the Spinners sing “My love for you strayed away just for a minute / But when I kissed her, my heart just wasn’t in it”, it doesn’t sound like a particularly convincing reason for us to take him back, whereas Brenda’s version sounds like she’s regretted that moment of foolishness ever since it happened. Having said that, I’m a boy, so maybe I’m just more easily swayed by it being, you know, Brenda Holloway.
Anyway. Both versions make heavy use of backing vocals doing weird and unexpected things, including a repeatedly barked staccato interjection of How can I! and the backing singers taking up much of the heavy lifting in the chorus (the I kissed another… bit), but the Spinners get the vocal mix all wrong in places, often creating a slightly jarring effect – very unusual for them. It punctures the sumptuous smoothness and sensuality of the track, in a way that’s more damaging when the version you’re hearing in your head is Brenda’s.
But then, this version’s got Bobbie Smith on it. When he half-sings, half-sighs “I deserve it, so go on and make me suffer”, it’s worth an extra mark all on its own. And the song’s so very much ahead of its time; it’s only the slightly primitive production and band arrangement (especially the grand piano) that stops it sounding like something from 1969 instead of 1964.
All my complaints about this being slightly scruffy are really only minor niggles, and it’s really only the existence of a better version which diminishes this one for me, and there’s really only a small gap between the two versions… but it’s the same size as the small gap between “rather good” and “bleedin’ great”, and I can’t quite bridge it.
MOTOWN JUNKIES VERDICT
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
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The Spinners “Sweet Thing” |
The Majestics “Hello Love” |
DISCOVERING MOTOWN |
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Dave L said:
Lucky me, I’ve got this too on Original Spinners. Then, after I quickly read your review, headed to eBay to if see anybody was actually selling it. Yes: a still-sealed copy asking seventy dollars. The very album I got mint for all of seventy-five cents 20 years ago. Lucky me again.
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The Nixon Administration said:
At the end of June (just in time for my birthday!), Ace/Kent are reissuing “Original Spinners” on CD with a huge slew of bonus tracks, under the title “Truly Yours” – pre-order your copies now, readers!
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Damecia said:
Wow! Yes lucky you again. Lol
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144man said:
I ordered my copy today.
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Robb Klein said:
When a “throwaway” side gets a “6” from YOU (tough grader as you are), that tells a LOT about the quality of The Spinners’ Motown recordings. I’d give this one a six as well. I’m a bit prejudiced, as Stevenson-Hunter are my favourite motown writing pair, and Fuqua-Bristol are at least tied for my second favourite team.
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The Nixon Administration said:
Thanks Robb 🙂
I always think, well, if you’re going to mark, you’d better mark hard or it becomes meaningless – I mean, we’re all Motown lovers here, it’d be easy enough to give everything 8 and watch the “agree” thumbs-up score rise. I was actually a bit worried that you’d all think I’d gone soft, it’s been a while since I’ve given anything a bad mark (an indication of the sheer quality threshold we’ve reached as Motown’s Golden Age gets into swing!), but as always, I calls ’em as I sees ’em.
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Landini said:
Robb. Yeah Stevenson-Hunter wrote some good tunes as did F/Bristol. It is a shame that these guys along with others (Syliva Moy, Bea Verdi, Richard Morris, among others) don’t get more credit when people talk about the Motown Sound. Of course Smokey, H-D-H etc are great too, but there are many other unsung heroes in this story.
I mean after H-D-H jumped ship from Motown in 1967, there were about 5 Motown songs in the Pop Top Ten all at the same time at the end of 68. That isn’t too shabby.
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Damecia said:
I’m a girl and I like Brenda’s version better too. lol.
Not a bad track, but Bobby doesnt convince me that he’s sorry he messed up. If I was his girl, he defintely wouldn’t be “Making His Way Back to Me” with this song lol.
An alrite song it is, but I prefer its A-side.
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The Nixon Administration said:
Yep, that’s it in a nutshell – I just don’t believe him. If we give him another chance, I’m pretty sure we catch him with his pants down again within six months. If we give Brenda another chance, I think we end up married.
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Landini said:
Hey gang! I’m a little late to this party… Am listening to this one for the first time. Pretty nice – a definite 6. I like Brenda’s version better. Cheers all! Enjoying some autumn-ish weather today here in Maryland-USA.
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bogart4017 said:
Great song but Brenda gets a 7 3/4—one half because she sounds as good as she looks!!
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nafalmat said:
Further proof that Fuqua wrote some gorgeous melodies of which this is another example. I particularly admire the way the rhythm and tempo completely changes for the middle breaks. This could have easily failed, but it works wonderfully on this production. I’ve never tired of hearing this even after 48 years. Fantastic.
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therealdavesing said:
The Spinners version is cool. Brendas version sounds like it recorded around 1966 or 1967. She can’t do any wrong at this point. Poor Spinners
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