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Gordy G 7036 (B), November 1964
B-side of Wild One
(Written by Mickey Stevenson, Ivy Jo Hunter and William Weatherspoon)
Stateside SS 383 (B), January 1965
B-side of Wild One
(Released in the UK under license through Stateside Records)
More evidence that Motown didn’t really know how to handle Martha and the Vandellas in the wake of Dancing In The Street and the rise of the Supremes. This B-side is an attempt to recast them in a new role, to make listeners see them in a new light: no longer the sassy, whip-smart dance leaders of the past, driving by with frenzied Spector Charleston cuts, from now on they’re going to take advantage of Martha Reeves’ excellent smoky voice, and serve up some hip-swaying jazz bar ballads. Even the title is a statement of intent: we’re still dancing, sure, but we’re dancing slow. Hold each other very close out there, ladies and gentlemen. Closer than that. Yeah, now you’ve got it.
It’s only partially successful. It’s nice enough and everything, but it’s paper-thin – the generic tune is almost exactly what you’d come up with given two minutes to write a riff called “Dancing Slow”, and at barely two minutes long it’s gone before it can make any real kind of impression. Hard to think of this as anything other than an opportunity for the ladies to take a breather on stage between rowdier numbers; it appears very early on their dance-themed 1965 LP Dance Party, but if ever a song screamed “end of Side One”, this is pretty much it.
Still, it all sounds quite nice; Martha gives another excellent lead performance, deliciously stretching out the end of each line (“I don’t really CARE if the people stop and STARE, we’re floating on AIR“), ad-libbing a semi-spoken interjection halfway through (“Slow and easy, baby!”), and when the girls come together for an unexpected three-handed group chant that winds up the end of the record, punctuated by big, echoing handclaps –
Dancing slow!
Lights are low!
Nothing as sweet
As a groovy beat!
Music everywhere
We don’t care
If the people stop and stare…
…it’s a pleasant surprise, sparking the song out of its slow circling torpor.
Otherwise, there’s just not very much to report, except that it shows the Vandellas could clearly handle slower, sexier cuts just as readily as barrelling, energetic dance numbers. Even for fans who prefer Martha in this lower-key mode, the mix still wasn’t right; there wouldn’t be another midtempo Vandellas A-side for over a year, by which time they’d really mastered the art. For now, this pretty little scribble would have to do.
MOTOWN JUNKIES VERDICT
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
(Or maybe you’re only interested in Martha Reeves & The Vandellas? Click for more.)
Martha & the Vandellas “Wild One” |
Carolyn Crawford “When Someone’s Good To You” |
DISCOVERING MOTOWN |
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thisoldheart heart said:
noticed “motoring” is on “dance party”. never new where it fit, but it sounded like a more obvious followup than “wild one / dancing slow”. anybody know its story, and how it got lost in the mix only to show up much later on anthology albums?
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The Nixon Administration said:
It’s the B-side of the next Vandellas single, if you can wait that long 😉
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Rhine Ruder said:
noticed that a more natural follow-up (though i love “wild one /slow dancing”) would have been the thumpin’ “motoring” that i noticed for the first time came from “dance party” and much later showed up on various compilation albums. do you know what the scoop on this rocker?
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Rhine Ruder said:
can you delete this second post? thx!
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Damecia said:
I love the sluggish groove this song has! In fact I prefer to listen to this than the A-side. The bass really makes this song. Martha and the Vandellas bounce off of one another well on this track. The rather breif lenght of “Dancing Slow” prevents the listener of growing tired of the song. Steve D that 5/10 is much too low! 8/10 would be much better = )
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Landini said:
HI Miss D! I hope you have been well. I’ve been gone for awhile. I agree with you. I like this side better than the A side. Always thought Martha sounded great on this one. Sometimes I am not crazy about her ballad vocals but this one is pretty cool.
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Damecia said:
Hi you Motown Junkies !
Remember a while back when I told you all that a show called “Unsung” were doing a feature on the Marvellettes well it finally aired last night. Good show!
Here’s a link for everyone to view the full episode. Enjoy!
http://tvone.tv/video?pid=mh2kYmAYeM0caZvnO9u7vh6x8HeuQv0e
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144man said:
Thanks for the link.
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Damecia said:
Welcome = )
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John Plant said:
Couldn’t see it all, Damecia, but what I did see was really moving and deeply involving. What wonderful research, to get those in-depth interviews with so many of the people at the heart of the story – right down to high school music teachers and guidance counselors – and of course the glorious girls themselves. Many thanks.
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Damecia said:
Sorry you couldn’t view it all, but yes it was a very touching and very much sad story. I was very impressed that all the remaining Marvellettes appeared on the show. It was touching to the students, teachers, and counselor all pay tribute to the unsung group.
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Landini said:
I saw finally saw this. Thought it was pretty good. It was nice to hear from some of the ladies who were in the group. I am sorry about Wanda’s troubles but am glad she is doing a bit better. I was sorry to hear about the deaths of Gladys & the other lady (can’t think of her name – SORRY CHEMO BRAIN LOL!) I wish they had talked a little more about the “Sophisticated Soul” album. That had some great tracks. I love “Here I am Baby”. Also, I would like to hear how Gladys’ one son is doing these days. God bless her for taking such good care of him. Her other son seems like a good man. Enjoyed Mary Wilson’s comments. She cracks me up!
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Damecia said:
Yeah Mary cracks me up too lol
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Dave L said:
Sexy is the word for it, you have to remind yourself once or twice while it plays Martha is talking about dancing. “Slow and easy, baby…” Though “Motoring” would eventually rank higher in their remembered b-sides, this one wears just as well with me, about a 7. “Dancing Slow,” and their next seven consecutive b-sides, I don’t have a problem in the world with.
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John Plant said:
Can’t wait for Motoring! Who else could make windshield wipers so completely and wickedly seductive? As for this one, I’m with you.. 5 seems about right.
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Mickey The Twistin' Playboy said:
I’m not a fan of many of the girls’ b-sides but this has a nice feel to it. I like the lyrics too. 7/10
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Landini said:
Yo Mick! With ya on this one pal!
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Mark V said:
I would swap the ratings for this record. “Wild One” seems to me the side treading water, while this one, as Steve says, takes the Vandellas in a welcome new direction. I think it succeeds, too. Martha has said how much she liked “My Baby Loves Me” precisely because it gave her a chance to try some jazz phrasing. “Dancing Slow” is a good warmup for that masterpiece.
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bogart4017 said:
Got to disagree with you here. Nothing screams Motown 1964 like this record. Those “echoed hand-claps” are everything to me! The 2:12 length makes you wanna scream “run the track back!!” The overall feel of the record is what gives studio A that “mystical air” that UK artists alway refer to.
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Landini said:
FInally heard this one a few years ago on an oldies radio show. Not a bad little production. A good, solid B side.
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