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Tamla T 54055 (B), January 1962
B-side of Mr Sandman
(Written by Mickey Stevenson and Anna Gordy Gaye)
Considerably less traumatising than the horrific A-side, Mr Sandman (a sappy, toned-down cover of the Chordettes’ hit for those who found the original a bit too raucous), it’s rather surprising to report that I’m Yours, You’re Mine turns out to be probably the most commercial thing Marvin Gaye had yet recorded.
It’s an upbeat, uptempo R&B number, a light and airy record with younger – if not necessarily young, per se – audiences firmly in mind.
If it’s hardly showing off Gaye as the finished article, this is nonetheless rather closer to the concept Berry Gordy apparently had in mind when he signed Marvin up in the first place, and I’m guessing (this is pure conjecture on my part) that Motown would have preferred to concentrate their efforts on this B-side rather than the schlocky A-side.
Which isn’t to say it’s all that good. Lyrically it’s barely half a step above a nursery rhyme, banal almost to the point of parody. Meanwhile, Marvin is on good vocal form, giving a first real indication of the singer he’d go on to become, but he’s still doing that really exaggerated “shhh” thing whenever he encounters a hard “s”, and (as with a previous R&B-flavoured outing, Never Let You Go (Sha Lu Bop)) he still sounds slightly embarrassed doing this sort of material.
(If proof were needed, check out the noticeably hesitant, half-hearted semi-shout of “woo!” at 0:58, as though he’s unsure whether to do it or not, followed by another, seemingly ad-libbed one at 1:01, after he’s decided the first one was a bit paltry).
It still sounds dated – it’s very similar, actually, in structure and sound, to Marv Johnson’s Come To Me from January 1959, the very first Tamla/Motown record, released some three years before this one – but it’s a step in the right direction. Certainly, this is the first of these prehistoric Marvin Gaye records that actually sounds like a plausible precursor to Stubborn Kind Of Fellow.
VERDICT
* * * * * * * * * *
5 / 10
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
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Marvin Gaye “Mr Sandman” |
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The Stepfather of Soul! said:
I’m sure you’re aware, but for the benefit of other readers I point out that a duet version with Mary Wells was left in the can, but, more interestingly, Singin’ Sammy Ward and Mable John did a version as well, also unissued. The Ward-John version has a greasy R&B sound to it that makes the song much more enjoyable, and it’s been released on CD, on a comp of Mable John’s Motown stuff.
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Landini said:
I really like this song. It sounds good when mixed in with other music both Motown and non. A few years ago I put it on one of my 60s Soul Slam mixtapes. On a more personal note on the day of this review I had a very intense surgery which probably saved my life so I’m very grateful to be alive and enjoying this site. Bless you friend
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The Nixon Administration said:
You’re most welcome – glad to hear you’re okay! I’ve really been enjoying reading your comments throughout the site.
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Ricky said:
Honestly better than the B-side and its very catchy. Wish that the song was longer than it is. Whoever is the backing singers they did asee marvelous job backing smooth Marvin!!
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Landini said:
Hey Ricky, I totally agree with ya buddy!
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Robb Klein said:
I also like this a lot better than “Mr. Sandman”.
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Landini said:
I’m with you on this one. I first heard this one & “Sandman” when I bought Marvin’s first GREATEST HITS collection back in 1968. When I heard “Sandman” I didn’t know it was an old standard. Of course, I was only 10 at the time! Cheers!
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Landini said:
One more thing — it is so funny how people don’t realize that Marvin Gaye had a career before “Grapevine”. I remember being in the car with a buddy around the time Marvin died & the radio station was playing some of his songs (pre-“Grapevine”). My buddy said “I’ve never heard these songs”. oh well!
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Slade Barker said:
That’s because it’s NOT a standard (see below).
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Slade Barker said:
“Mr. Sandman” was & is NOT a standard. It was a hit in the ’50s. It was used in a lot of movies in the ’80s showing the ’50s. That’s about it. Marvin Gaye’s version is very good, and this b-side is about as good. A nice record overall.
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