Tags
VIP 25023 (B), August 1965
B-side of Hang On Bill
(Written by Chester Pipkin and Gary Pipkin)
And just like that, the Motown career of “Little” Lisa Miller is over, as quickly as it had begun. Motown had had success with one pre-teen star in Stevie Wonder, and would go on to success with another in Michael Jackson, but the road between the two is littered with casualties signed in haste, as Berry Gordy – tired and wary after the Stevie experience – had little enthusiasm to work with any more youngsters. Lisa was the youngest of them, just eight years old when this was cut, and after her one and only Motown single flopped, the label had no patience and no need to invest in a second release.
It’s kind of a pity, as while I’m no great fan of kiddie novelty fare, on the evidence of the Cellarful of Motown series – and indeed on the evidence of the A-side, Hang On Bill, a reasonably good cover of a terrible song – Lisa had already shown she had something about her beyond that snap categorisation. Her vocal on Hang On Bill didn’t sound like the work of an 8-year-old girl, having more in common with the self-consciously cutesy likes of the Murmaids or indeed Motown’s own Joanne and the Triangles, and despite Motown’s selection of material with titles designed to evoke that very air of kiddie novelty naffness I usually run from – Choo Choo Train, Honey Boy, Puppet On A String – the actual records never really played up to this angle, and her output dealt with some surprisingly mature themes.
(Shades of Poupée de Cire, Poupée de Son, an unexpected second mention in a week for France Gall here on Motown Junkies. But I digress.)
Puppet On A String is cut from the same cloth, interesting lyrics concerning an unexpectedly frank dissection of an adult romance (I’m not your puppet on a string, Lisa chants, as she tells some would-be playground Casanova she won’t fall for him like he expects), and set to a not wholly inaccurate pastiche of the big hit 4/4 Motown sound (and particularly the Supremes circa the Where Did Our Love Go album) that’s all the more interesting for having been written and performed by Californian outsiders.
It’s a shame, though, that this ends up being by some distance the youngest-sounding of Lisa’s Motown vocals that I’ve heard; she not only sounds considerably younger than the A-side, she sounds even younger than she really was, meaning that what we end up with here is effectively a Supremes pastiche as sung by a first-grader. The uncomfortable overtones which previously reared their heads during the gawkier moments of “Little” Stevie Wonder, the sense of a precocious young vocalist being exploited by their adult colleagues, the expectation we’ll find their lyrical dress-up games cute because they’re too young to fully understand what they’re singing, à la “Long Haired Lover From Liverpool” (no, I’m not linking to that!), are hard to overcome.
Unlike the A-side, where I got the feeling everyone involved was making a bad song as good as they could get it, here the overriding feeling is that the performance isn’t up to the material. And the material itself isn’t classic by any means; if it was a Supremes song, it’d be something that turned up as a long-forgotten demo, a bonus track on some obscure import box set.
And that was that as far as Lisa and Motown were concerned; her mother and aunt (Kay and Helen Lewis) remained with the company as an important writing team, but Lisa’s Hitsville career was over. She later endeared herself to Northern Soul fans with the offbeat Loneliest Christmas Tree, still a controversial staple of Yuletide all-nighters, and she had a brief brush with the big time when (as “Leza Miller”) she provided a guest vocal with Joe Pizzulo for Sergio Mendes’ Never Gonna Let You Go, a Top Five hit in 1983.
But for Motown fans, she’ll always be remembered as a failed attempt at replacing Stevie Wonder as the company’s resident child star. This is a bad record, but even on this evidence, she deserved a better fate than that.
MOTOWN JUNKIES VERDICT
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
(Or maybe you’re only interested in Little Lisa? Click for more.)
Little Lisa “Hang On Bill” |
Brenda Holloway “You Can Cry On My Shoulder” |
DISCOVERING MOTOWN |
---|
Like the blog? Listen to our radio show! |
Motown Junkies presents the finest Motown cuts, big hits and hard to find classics. Listen to all past episodes here. |
Robb Klein said:
I’d give this a 1. “Hang on Bill” and “Choo Choo Train” were a LOT better.
LikeLike
The Nixon Administration said:
(Fixed the link to Joanne and the Triangles. That’s right, be impressed.)
LikeLike
Damecia said:
C’mon Steve D have a heart this kid is like 8! LOL. But really this isn’t that good. I don’t think this song could make it on those cheesy Kid Bop CD’s lol.
LikeLike
Landini said:
Hi Miss D, Where have you been? Welcome back! Have you heard the Sergio Mendes song that grown up Lisa sings on ? It is called “Never Gonna Let You Go” & she sounds great on it. It is your basic Adult Contemporary/light rock ballad (with a touch of soul). Besides soul & jazz music, I have a real weakness for AC/light rock. Speaking of Sergio Mendes, you should check his “Oceano” album from the early 90s. LIsa isn’t on it but it is a very well done album. He uses the cream of the crop of studio musicians & many international music people as well. Very nice blend of smooth jazz/quiet storm/Latin/AC/pop. Also, I was listening to one of Chicago’s early albums (their 2nd album from 1970) & wow there is some good music there (this is before they got real cheesy). I mention them here because I feel like there is a Motown/blue eyed soul vibe running throughout the album. Anyway, hope you are well!
LikeLike
Damecia said:
Hi Gramps! = ) I’ve been MIA due to a lame 9 to 5 lol. How have you been? I’ll have to checkout this Sergio. Chicago….I know of them from the infomercials I used to watch as a kid. Don’t they have a song that goes “Saturday in the park, i thought it was the fourth of july” or something lol.
LikeLike
Landini said:
Hi D, Yeah Chicago did “Saturday in the Park” but please don’t judge them by that song – that one is from the time that their music started to get really lame (LOL!) I’m hanging in there – Still dealing with health issues.
LikeLike
Damecia said:
Glad to hear you’re still fighting = )
lol oops Chicago
LikeLike
The Nixon Administration said:
Do people not read the reviews any more…? 🙂 I mentioned and linked the Sergio Mendes record at the end there.
LikeLike
Landini said:
oops! Sorry bout that chief!
LikeLike
Landini said:
We love your reviews but we are impatient to get through Little Lisa etc and ONTO THE GOOD STUFF (Brenda, Kim, etc)!!!! Thank you for all of your hard work!
LikeLike
Damecia said:
Yes we love and appreciate what you do Steve D., but like all good “junkies” we’re ready for the good stuff! = )
LikeLike
The Nixon Administration said:
Thanks – I’m still working on the next entry…! Patience, guys 🙂
LikeLike
W.B. said:
This was one of three “Puppet on a String’s” that were put out around the world over the next few years. There was the sappy Elvis ballad from the same year as this (written by Sid Tepper and Roy C. Bennett and featured in his film Girl Happy), and of course the Bill Martin / Phil Coulter composition most famously recorded by Sandie Shaw in 1967 and winner of that year’s Eurovision Song Contest (which, oddly, didn’t even make the U.S. charts). It’s a tossup, I guess, as to which one would be better or worse than this entry.
LikeLike
Robb Klein said:
Detroit’s Gino Washington had out two versions of a song called “Puppet On a String” on Correc-Tone, SonBert and Ric Tic Records, in 1964. It was a common title for a song.
LikeLike
Lozarithm said:
Lisa Miller was born 16 July 1950 so was 15 in 1965. Her singing career did begin when she was 8.
LikeLike
Clara said:
Little Lisa/ Leeza Miller was born 16th of July 1956.
LikeLike