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Motown Junkies

~ because it's what's in the grooves that counts

Motown Junkies

Category Archives: Writing credit: Shorty Long

466. Shorty Long: “Out To Get You”

March 26, 2012

The Contours might have been proud to have made this, but it sacrifices the sly winks, the slink and personality of the A-side in favour of a pounding bar-room rhythm; a case of going for vibe ahead of tune or lyrics. (5)

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465. Shorty Long: “It’s A Crying Shame (The Way You Treat A Good Man Like Me)”

March 24, 2012

Shorty was still yet to mature as an artist, and this has too many jarring musical moments and not enough witty lines to rank among his very best. It’s still excellent, which gives you some idea of the kind of talent we’re dealing with here. Go, Shorty, go. (8)

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409. Shorty Long: “Wind It Up”

September 11, 2011

Perfectly capable, enjoyable R&B dance fluff that gets the job done without pulling up any trees; it’s only really the name on the label that marks this out as any kind of disappointment, but ultimately that’s what it ends up being. Sorry, Shorty. (5)

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408. Shorty Long: “Devil With The Blue Dress”

September 7, 2011

This isn’t the best of Shorty’s Motown singles, far from it, and taken out of context it’d be hard to make any kind of claim for it being a masterpiece or something; what it is, though, is just a great deal of fun. Inexplicably likeable, and undeniably, well, charming. (7)

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MOTOWN JUNKIES

This is Motown Junkies, an unofficial track by track history of Motown: in-depth analysis and discussion of both sides of every Motown single ever released between 1959 and 1988. Enjoy!

 

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Motown Junkies

This is Motown Junkies, an unofficial guide to every Motown single ever released, or planned for release, on every US Motown label (or via Tamla Motown in the UK), featuring reviews of each A-side and B-side in chronological order. New reviews appear every couple of days.

Think of it as an unauthorised track-by-track companion to the magnificent The Complete Motown Singles CD box sets, and beyond, with marks out of ten.

I'm NOT Paul Nixon.

FURTHER INFORMATION

More info about the blog (and me) can be found here. If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com.

(Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.)

HOW TO USE THIS BLOG

You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead.

If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. Only people whose records I've already discussed appear there at the moment - more names will be added to the lists all the time as I work my way through Motown's history, so do keep checking back!

Alternatively, the front page displays excerpts from the most recent reviews, and on the right hand side of the screen you'll see a list of the most recent entries and also a sampling of the most popular entries from the last 48 hours, as well as the latest comments left by visitors.

Dive in, explore and have fun!

LEGAL STUFF

This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog.

Where indicated, label scan images appear by kind permission of Lars "LG" Nilsson (as originally prepared for the Complete Motown Singles series).

Digital images courtesy of Gordon Frewin are supplied for use at motownjunkies.co.uk by arrangement. All applicable rights reserved. No unauthorised republication is permitted.

Many label images were kindly provided by Robb Klein, together with invaluable historical research.

All text © Motown Junkies, 2009-19. All rights reserved.

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