289. The Temptations: “I Want A Love I Can See”
As a song, it’s okay; danceable, likeable, but rather flat and ultimately uninteresting. As an arrangement, a vocal showcase, a calling card for future greatness, it’s nothing short of remarkable. (6)
As a song, it’s okay; danceable, likeable, but rather flat and ultimately uninteresting. As an arrangement, a vocal showcase, a calling card for future greatness, it’s nothing short of remarkable. (6)
Bereft of a catchy tune, or any real hooks in the chorus; it’s all okay, not at all objectionable but never thrilling either. It’s okay. (5)
Somewhat surprisingly, and contrary to popular opinion, actually a better record than You’ve Really Got A Hold On Me. (9)
“Satisfactory”, and yet vaguely unsatisfying. (4)
Not awful, but not even worthy of a place in the top ten songs Smokey would ever write for the Supremes. (3)
If this was hardly an avenue that Mary Wells’ future career could follow, it’s still a very fine record, and well deserving of its (very brief) time in the chart sun. (8)
Smokey Robinson tries to freshen things up by adding some newer elements – but the mix still isn’t quite right, and accordingly this turns out to be the weakest of his collaborations with Mary Wells to date. (5)
There’s no reason this couldn’t have done well in 1963 as an A-side, but the single sank without trace and so radio never really got the chance to flip the record over and find it. A pity; between this and the topside, this is a fine single that really deserved better. (7)
A refreshing little early soul treat, and enough to make you wonder what might have happened if Miss Griner had been able to stick around at Motown. (7)
A remarkable piece of work, a good record and a genuinely great song; this, more than any other, would become remembered as the sound of the early Miracles. (8)
That it came coupled with one of the all-time great Motown ballads is just unfortunate, because this is a fun little single in its own right. (6)