• About Motown Junkies
  • Artists
    • A
      • Alan, Lee
      • Andantes
      • Anthony, Richard
    • B
      • Ben, LaBrenda
      • Blakely, Cornell
      • Bohanon, George
      • Breen, Bobby
      • Burnadettes
      • Burnette, Dorsey
    • C
      • Campbell, Choker
      • Channel, Bruce
      • Charters
      • Chuck-a-Lucks
      • Clark, Chris
      • Contours
      • Crawford, Carolyn
      • Creations
      • Crockett, Howard
    • D
      • Dalton Boys
      • Darnells
      • Day, Danny
      • Dean, Debbie
      • Diamond, Hank & Carol
      • Downbeats
      • Dozier, Lamont
    • E-F
      • Eckstine, Billy
      • Elgins
      • Equadors
      • Four Tops
      • Funk Brothers
    • G
      • Gaye, Marvin
      • Golden Harmoneers
      • Good, Tommy
      • Gorman, Freddie
      • Gospel Stars
      • Greer, Paula
      • Griffin, Herman
      • Griffith, Johnny
      • Griner, Linda
    • H
      • Hamilton, Dave
      • Haney & Armstrong
      • Hartfield, Pete
      • Headliners
      • Heard, Oma
      • Henslee, Gene
      • Hillsiders
      • Hit Pack
      • Holland, Eddie
      • Holland-Dozier
      • Holloway, Brenda
      • Holloway, Patrice
      • Hornets
    • I-J
      • Isley Brothers
      • Joanne & the Triangles
      • John, Mable
      • Johnson, Marv
      • Jones, Wade
    • K-L
      • Kayli, Bob
      • Lands, Liz
      • Lee & the Leopards
      • Leverett, Chico
      • Lewis Sisters
      • Little Iva
      • Little Lisa
      • Little Otis
      • Littles, Hattie
      • Long, Shorty
      • Lumpkin, Henry
    • M
      • Majestics
      • Mallett, Saundra
      • Mann, Columbus
      • Martha & the Vandellas
      • Martin, Tony
      • Marvelettes
      • McCullers, Mickey
      • McKenzie, Don
      • McNair, Barbara
      • Merced Blue Notes
      • Merritt, Billy
      • Mike & the Modifiers
      • Milburn, Amos
      • Miracles
      • Monitors
      • Morrocco Muzik Makers
      • Mullins, Dee
    • N-R
      • Nick & the Jaguars
      • Oddis, Ray
      • Parks, Gino
      • Paul, Bunny
      • Pirates
      • Remus, Eugene
      • Ron & Bill
      • Ruffin, Jimmy
    • S
      • Satintones
      • Sebastian, Joel
      • Serenaders
      • Spinners
      • Strong, Barrett
      • Stylers
      • Supremes
      • Swinging Tigers
    • T
      • Taylor, R. Dean
      • Taylor, Sherri
      • Temptations
      • Terrell, Tammi
      • Turner, Sammy
      • Twistin’ Kings
    • U-V
      • Valadiers
      • Valvano, Mike
      • Van Dyke, Connie
      • Van Dyke, Earl
      • Vells
      • Velvelettes
      • Vows
    • W-Z
      • Walker, Junior (& All-Stars)
      • Ward, (Singin’) Sammy
      • Washington, Earl
      • Wells, Mary
      • Weston, Kim
      • Williams, André
      • Wilson, Frank
      • Wonder, Stevie
      • Woods, Mickey
      • Wright Specials
      • Wylie, Richard “Popcorn”
  • Great Songwriters
  • Labels
    • Britain
    • Chisa
    • Divinity
    • Gordy
    • Inferno
    • Manticore
    • Mel-o-dy
    • Melodyland
    • Miracle
    • Miscellaneous
    • Motown
    • MoWest
    • Prodigal
    • Rare Earth
    • Soul
    • Tamla
    • VIP
    • Workshop Jazz
  • Marks Out Of Ten
    • I Disagree!
  • Master Index
  • Radio

Motown Junkies

~ because it's what's in the grooves that counts

Motown Junkies

Previous articles

641. Earl Van Dyke & the Soul Brothers: “How Sweet It Is (To Be Loved By You)”

September 23, 2013

Who is this for? Who is it meant to satisfy? It’s neither pop nor jazz; it’s not edgy enough to please either the musicians or their intended audience of hardened hep cats, it’s not fluffy enough to please pop-loving tweens or their parents, and it’s not got Marvin Gaye on it, which was the only thing that kept the corny song afloat the first time round. It’s not a disaster, but – as appealing as that guitar is – I can’t really imagine myself ever going back to play this again. (4)

Continue reading →

640. Earl Van Dyke & the Soul Brothers: “I Can’t Help Myself (Sugar Pie, Honey Bunch)”

September 20, 2013

A harmless curio, something to play once for its novelty value and then go back to the original. Completely pointless, and almost defiantly inessential. (5)

Continue reading →

639. The Temptations: “Don’t Look Back”

September 14, 2013

This should have been the A-side; this should have been the way the Miracles approached My Girl Has Gone. Should, should, should. What it is, though, is another excellent Temptations single. We won’t be meeting them again for six months; Don’t Look Back is good enough to make that temporary parting hurt. (8)

Continue reading →

638. The Temptations: “My Baby”

September 9, 2013

Is it a worthy follow-up to either My Girl or My Guy? You’d have to say no. Is it a worthy continuation of the recent glorious string of Temptations singles? Again, surely the answer would be no. But for all of that, is it a bad record? Of course it isn’t. (5)

Continue reading →

637. The Miracles: “Since You Won My Heart”

September 7, 2013

It’s hard to see this as anything other than filler, both on the album and on this single – once again, I doubt many fans have this at the top of their lists of Miracles favourites – but at least it’s very pretty filler. (5)

Continue reading →

636. The Miracles: “My Girl Has Gone”

August 28, 2013

It’s not bad, and I’ll never turn down the chance to hear the golden-era Miracles doing what they do best. It’s just that after all the riches they’ve given us recently, and with all the riches they’re going to be giving us just around the corner, this feels like a stopgap, and therefore something of a let-down. (5)

Continue reading →

635. Marvin Gaye: “She’s Got To Be Real”

August 22, 2013

It’s not great – it’s weird and it’s been poorly thought out, and what’s more it’s badly dated, as well as musically derivative of a much better song Marvin had already recorded. Still, even if it says very little about the Marvin Gaye we’ve come to know here in 1965, you can’t really accuse it of being dull, and that’s worth a couple of marks in itself. (5)

Continue reading →

634. Marvin Gaye: “Ain’t That Peculiar”

August 18, 2013

Not for the first time, Marvin Gaye sounds every inch the pop superstar, and once again here he’s made an excellent pop record. The difference, now, is that he’s making excellent records that sound like Marvin Gaye records, and everyone else is hereby put on notice. (8)

Continue reading →

633. The Supremes: “Things Are Changing”

August 7, 2013

It may not be vintage Supremes (or vintage Spector, for that matter), and it’s certainly not the stuff of legend that might have been expected of the only official Motown/Spector collaboration, but, well, it’s the Supremes pretending to be the Crystals, and don’t pretend you weren’t curious to hear how that turned out. (6)

Continue reading →

632. Kim Weston: “Don’t Compare Me With Her”

July 23, 2013

It’s a mess – but it’s a likeable mess, and thanks to Kim’s vocal, rolling with the punches so adroitly you can’t help but applaud, it’s probably better than it has any right to be. (6)

Continue reading →

631. Kim Weston: “Take Me In Your Arms (Rock Me A Little While)”

July 15, 2013

Honestly, if you’d handed this to me back when I first started to discover Motown, and told me that this lady was Motown’s biggest star of the mid-Sixties, I’d have had no trouble believing it. It’s sensational. (9)

Continue reading →

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MOTOWN JUNKIES

This is Motown Junkies, an unofficial track by track history of Motown: in-depth analysis and discussion of both sides of every Motown single ever released between 1959 and 1988. Enjoy!

 

Index of all reviews to date

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Recent Posts

  • 695. The Temptations: “Fading Away”
  • 694. The Temptations: “Get Ready”
  • 693. The Four Tops: “Just As Long As You Need Me”
  • 692. The Four Tops: “Shake Me, Wake Me (When It’s Over)”
  • 691. Marvin Gaye: “When I Had Your Love”

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Motown Junkies

This is Motown Junkies, an unofficial guide to every Motown single ever released, or planned for release, on every US Motown label (or via Tamla Motown in the UK), featuring reviews of each A-side and B-side in chronological order. New reviews appear every couple of days.

Think of it as an unauthorised track-by-track companion to the magnificent The Complete Motown Singles CD box sets, and beyond, with marks out of ten.

I'm NOT Paul Nixon.

FURTHER INFORMATION

More info about the blog (and me) can be found here. If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com.

(Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.)

HOW TO USE THIS BLOG

You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead.

If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. Only people whose records I've already discussed appear there at the moment - more names will be added to the lists all the time as I work my way through Motown's history, so do keep checking back!

Alternatively, the front page displays excerpts from the most recent reviews, and on the right hand side of the screen you'll see a list of the most recent entries and also a sampling of the most popular entries from the last 48 hours, as well as the latest comments left by visitors.

Dive in, explore and have fun!

LEGAL STUFF

This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog.

Where indicated, label scan images appear by kind permission of Lars "LG" Nilsson (as originally prepared for the Complete Motown Singles series).

Digital images courtesy of Gordon Frewin are supplied for use at motownjunkies.co.uk by arrangement. All applicable rights reserved. No unauthorised republication is permitted.

Many label images were kindly provided by Robb Klein, together with invaluable historical research.

All text © Motown Junkies, 2009-25. All rights reserved.

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