Tags
Tamla T 54089 (B), October 1963
B-side of I Gotta Dance To Keep From Crying
(Written by Smokey Robinson)
Stateside SS 263 (B), February 1964
B-side of I Gotta Dance To Keep From Crying
(Released in the UK under license through EMI / Stateside Records)
I’ve been doing this site for a year and a half now, and it’s continued to grow in popularity throughout that time. Which is nice.
Still, now that there are actually thousands of people reading this stuff (hello out there!), I know that whenever I give a record a mark that’s lower than people were epxecting, there’ll be some disagreement and some hurt feelings. So, when something like Such Is Love, Such Is Life hoves into view, I get a sense of trepidation. I find it pretty enough in its way, but for the most part just blandly nondescript. However, I also know this is very highly regarded among Miracles fans (one person I know actually names this as her favourite Miracles record, which just blows my mind.) I’m hoping – as I always hope when I give a record a mark below five out of ten – that people will pop up in the comments to defend it, to give a fuller picture. Because I’m listening to this right now, and if there’s anything truly remarkable in it, I’m just not hearing it.
It’s possible that I’m judging this harshly because we’re in the middle of a great run of Motown singles and this is the first sub-par effort to trouble that run, or because it’s Smokey Robinson and I’m always tough on him. Possible, but I don’t think that’s it. Rather, this just sounds like a blast from the Miracles’ past, and not in a good way.
This is yet another track from the Miracles’ fourth studio LP, The Fabulous Miracles, exhumed for use on a Motown 45 (this was, astonishingly, the seventh track from that album to feature on a single, and Motown weren’t finished with it yet). The recording itself had actually been made more than a year and a half before it was issued on this B-side, and it sounds even older than that. It’s the sort of thing that might have appeared on a Miracles B-side three or four years previously; doo-wop inflected balladry, a flute bouncing jauntily all over the track, Smokey’s youthful, quavering falsetto more vulnerable than we’ve heard it for years.
(As if to drive the point home, Motown opted to close out The Fabulous Miracles with Your Love, actually a track from their début LP Hi! We’re the Miracles and probably dating from at least 1960; Such Is Love, Such Is Life is almost a note-for-note retread of that earlier song with new lyrics, something the liner notes to The Complete Motown Singles: Volume 3 readily acknowledge. Unfortunately, Youtube doesn’t seem to have a copy of Your Love – one of only 2 songs on The Fabulous Miracles not featured on any Miracles single – available for your ease of comparison.)
It’s basically just a mess; as with so many early Miracles songs, it’s a bunch of great ingredients nobody’s actually bothered to put in the oven. That it works at all (and it kind of does, in a way, which is why I’m not completely savaging it) is down to the singing – Smokey sounds decidedly young here, high and tremulous in places, but it’s highly engaging, while the rest of the Miracles are on fine form; all in the service of a song featuring nothing but a one-line hook (the title, obviously) where a great chorus should be, and even then not enough happening in between, the rest of the record spent wasting time getting to the next hook.
The gist of the song’s lyrics – a muddled second-person story about a love triangle that boils down to nothing more than “Relationships, eh? Sheesh!”, Smokey advising us to give up with a shrug and a smile because we can’t win ’em all – has something of the kindly advice feeling of Everybody’s Gotta Pay Some Dues, only about a tenth as affecting.
Without a great emotional punch, this ends up as a lot of shapeless, aimless meandering, an intricate vocal chart laid out for a plodding jam session and a lyricist off his game. It works well enough in the context of The Fabulous Miracles, but left exposed on its own it feels very thin indeed. It’s not terrible – there’s something in Smokey’s pained, awkward delivery which always brings me back for more, so they must be doing something right at least – but it’s very much a remnant from an era Motown was already leaving behind forever, and I doubt I’d put it anywhere near Smokey’s top hundred, let alone the very top.
Over to you, readers.
MOTOWN JUNKIES VERDICT
(I’ve had MY say, now it’s your turn. Agree? Disagree? Leave a comment, or click the thumbs at the bottom there. Dissent is encouraged!)
You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. Click on the “previous” and “next” buttons below to go back and forth through the catalogue, or visit the Master Index for a full list of reviews so far.
(Or maybe you’re only interested in Smokey Robinson & the Miracles? Click for more.)
The Miracles “I Gotta Dance To Keep From Crying” |
Cornell Blakely “I’ve Got That Feeling” |
DISCOVERING MOTOWN |
---|
Like the blog? Listen to our radio show! |
Motown Junkies presents the finest Motown cuts, big hits and hard to find classics. Listen to all past episodes here. |
Dave L said:
I didn’t get a 45rpm copy of I Gotta Dance… till the autumn of 1975, and thus never heard this b-side till then. Consequently, it came to my ears, many many years after all the greatness that was Smokey in the 1960s was logged in my memory bank.
Once you’ve already been put under the spell of Miracles b-sides such as Would I Love You, Save Me, Fork In the Road, You Must Be Love, Baby Don’t You Go, Choosey Beggar, then Such Is Love, Such Is Life has to stand in line behind at least those. That’s not to say that it’s in any way poor, but I don’t quarrel with your ‘4’ either.
I think some hasty commercial thinking was at work here too. Maybe Motown wanted to get I Gotta Dance out quick and better to slap any former Jobete original on the b-side rather than some cover from Doin’ Mickey’s Monkey and have the split publishing income enrich another company?
After I Gotta Dance, I think a little timidity comes into play and caused the Miracles to lose a hit, a seasonal one. Tamla LP 236, Christmas With The Miracles, was both the group’s and Motown’s first Christmas album. On it, “Christmas Everyday” was the only composition by Smokey, and only Jobete original. Lots of people know it now -and that’s wonderful- but it only went to DJ’s as a promotional, white-label 45 ( Tamla EX-009), and never as a stock single. (When you can even find one on eBay now, prepare to spend three figures!)
To me, it’s as much a perennial as Brenda Lee’s “Rocking Around The Christmas Tree” or Bobby Helms’ “Jingle Bell Rock” and I never neglected in the 70s and 80s to include in any Christmas mix cassette I made. I wish the company had seen more potential in it 😦
LikeLike
The Nixon Administration said:
Patience, grasshopper 🙂 It’s included on TCMS 3 (it was nominally the B-side to “The Christmas Song”, incidentally, not an A-side) and its review is due up in a couple of records’ time.
LikeLike
Steve Robbins said:
A hodgepodge of varying ingredients that don’t come together in the final stew. It’s interesting Smokey brought the flute back for an encore! Still love ya Smokey.
LikeLike
bogart4017 said:
I know, right? “The Fabulous Miracles” reads like a greatest hits album by now.
“Such is Life” sounds a lot like 1961 to me with a little “Bad Girl” seasoning thrown in for good measure. However one must remember—with crockpot cooking you have go low and long otherwise the different seasonings won’t blend correctly. This one simmered but didnt spend enough time over the heat.
See what i did there?
LikeLike
Brendan Kilbane said:
The beauty of this song lies with how smokey sings “oh love, love is strange, and its so hard to find someone who really cares”. I was surprised the amount of goosebumps i got hearing that. I think thats where people are finding the magic in this song.
LikeLike
Slade Barker said:
I can’t disagree with you here, and I share your surprise that ANYONE would choose this as their favorite Miracles song! But the OTHER side — man, that’s a 10!
LikeLike