694. The Temptations: “Get Ready”
If white radio wasn’t ready for this in 1966, it’s their loss, because now it’s 2020 and I am so very ready for this today. It sounds fantastic. (10)
Category Archives: Writing credit: Smokey Robinson
691. Marvin Gaye: “When I Had Your Love”
Marvin Gaye’s time with Smokey Robinson is drawing to a close here on Motown Junkies, but this absolutely has to go down as one of their best team-ups. It’s weird and it’s thought-provoking and it’s utterly beautiful, and it will stay on your mind for months on end (trust me on that last one). I love it. (9)
690. Marvin Gaye: “One More Heartache”
Marvin’s life story was a fascinating patchwork of weird, unbelievable things; here, his musical story treads the same odd pathways, and the results are a strange, groovy trip, but a trip which still compels you to get up and dance. I love it. (9)
674. The Miracles: “Choosey Beggar”
A success all round, then, leaving aside the nagging curiosity as to what might have happened with just a couple more days’ work: a fitting way to cap the best year so far in the Motown careers of both Smokey Robinson and the Miracles, now restored to their full powers. Roll on 1966. (8)
673. The Miracles: “Going To A Go-Go”
Genuinely excellent, the sort of thing that helps give Motown its good name. And it’s better than anything the Miracles have ever done in this mode until now, there’s no doubt about it. Excellent. Just not quite as excellent as some of the Miracles’ 1965 highlights. (8)
666. The Marvelettes: “Don’t Mess With Bill”
We’ve never had cause to doubt the Marvelettes’ quality before, but now they’re paired with the right producer, they’ve got a part to play in the Motown story too, a part that finally makes sense; Don’t Mess With Bill is almost something like a rebirth, the start of the Marvelettes’ magnificent second act, and its brilliance is cause for much celebration.
644. Jimmy Ruffin: “As Long As There Is L-O-V-E Love”
Smokey Robinson, who writes and produces here, had by now developed a knack of bringing the best out of underpowered singers, and this is a fine effort; if it’s not exactly top-drawer Smokey (or indeed top-drawer Jimmy, though listeners at the time had no idea what that might sound like), it’s Ruffin Senior’s best single to date, both whistleable and likeable. (7)
639. The Temptations: “Don’t Look Back”
This should have been the A-side; this should have been the way the Miracles approached My Girl Has Gone. Should, should, should. What it is, though, is another excellent Temptations single. We won’t be meeting them again for six months; Don’t Look Back is good enough to make that temporary parting hurt. (8)
638. The Temptations: “My Baby”
Is it a worthy follow-up to either My Girl or My Guy? You’d have to say no. Is it a worthy continuation of the recent glorious string of Temptations singles? Again, surely the answer would be no. But for all of that, is it a bad record? Of course it isn’t. (5)
637. The Miracles: “Since You Won My Heart”
It’s hard to see this as anything other than filler, both on the album and on this single – once again, I doubt many fans have this at the top of their lists of Miracles favourites – but at least it’s very pretty filler. (5)
636. The Miracles: “My Girl Has Gone”
It’s not bad, and I’ll never turn down the chance to hear the golden-era Miracles doing what they do best. It’s just that after all the riches they’ve given us recently, and with all the riches they’re going to be giving us just around the corner, this feels like a stopgap, and therefore something of a let-down. (5)
Motown Junkies 