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Motown Junkies

~ because it's what's in the grooves that counts

Motown Junkies

Category Archives: Writing credit: Smokey Robinson

635. Marvin Gaye: “She’s Got To Be Real”

August 22, 2013

It’s not great – it’s weird and it’s been poorly thought out, and what’s more it’s badly dated, as well as musically derivative of a much better song Marvin had already recorded. Still, even if it says very little about the Marvin Gaye we’ve come to know here in 1965, you can’t really accuse it of being dull, and that’s worth a couple of marks in itself. (5)

Continue reading →

634. Marvin Gaye: “Ain’t That Peculiar”

August 18, 2013

Not for the first time, Marvin Gaye sounds every inch the pop superstar, and once again here he’s made an excellent pop record. The difference, now, is that he’s making excellent records that sound like Marvin Gaye records, and everyone else is hereby put on notice. (8)

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615. Brenda Holloway: “Who’s Lovin’ You”

May 20, 2013

It’s hard to argue that it doesn’t sound nice, but given the pedigree of everyone involved – given this is Motown we’re talking about here, and in the summer of 1965 to boot – well, I’m just looking for more than pleasant and meaningless wallpaper. (4)

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614. Brenda Holloway: “You’ve Changed Me”

May 18, 2013

It’s the sort of thing where you could imagine Mary Wells having an absolute field day, but Brenda treats it as nothing more than a vocal showcase and, I have to say, I don’t really like it all that much. (4)

Continue reading →

603. The Miracles: “A Fork In The Road”

April 2, 2013

Sumptuous in its beauty, quietly devastating in its lyrics… I don’t know how he’s doing this. (8)

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602. The Miracles: “The Tracks Of My Tears”

March 31, 2013

For the second time in a row, the Miracles are shafted out of a (10) simply because I’ve only got fifty to award, and I’d run out of them. But, again, if you were to say this one was your favourite Miracles single, favourite Motown single, even… I’d get it. (9)

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600. The Contours: “First I Look At The Purse”

March 24, 2013

Unexpectedly, it turns out Smokey, and Motown, needed the Contours to exist: not as a link to the past, but as an outlet for silly ideas, as an expression of physical energy, as a pressure valve. And this, daft as it is, is just buckets of fun. (7)

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599. Marvin Gaye: “Now That You’ve Won Me”

March 22, 2013

The overall effect is to remind me of the Supremes’ similarly beautiful, similarly half-realised Standing At The Crossroads Of Love: when it’s lovely, it’s lovely enough to matter. (6)

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591. The Temptations: “You’ve Got To Earn It”

March 6, 2013

Absolutely fine as far as pleasingly diverting B-sides go. It’s just the widespread admiration that baffles me. Would I jump up to turn it off? Of course not. Would I pick it out as some sort of highlight? Not in a million years. (5)

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590. The Temptations: “Since I Lost My Baby”

March 4, 2013

The Temptations cover themselves in glory here. This is the sound of a group absolutely on top of their game; the true follow-up to My Girl, and – unexpectedly – very nearly as good. (9)

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579. Brenda Holloway: “I’ll Be Available”

February 10, 2013

I still wouldn’t go so far as to say I really liked it, but this is another definite improvement on the original, and if these Mary Wells covers were proving to be chart poison for Brenda, well, on this evidence she was at least getting rather better at doing them. (5)

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MOTOWN JUNKIES

This is Motown Junkies, an unofficial track by track history of Motown: in-depth analysis and discussion of both sides of every Motown single ever released between 1959 and 1988. Enjoy!

 

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Recent Posts

  • 694. The Temptations: “Get Ready”
  • 693. The Four Tops: “Just As Long As You Need Me”
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  • 691. Marvin Gaye: “When I Had Your Love”
  • 690. Marvin Gaye: “One More Heartache”

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Motown Junkies

This is Motown Junkies, an unofficial guide to every Motown single ever released, or planned for release, on every US Motown label (or via Tamla Motown in the UK), featuring reviews of each A-side and B-side in chronological order. New reviews appear every couple of days.

Think of it as an unauthorised track-by-track companion to the magnificent The Complete Motown Singles CD box sets, and beyond, with marks out of ten.

I'm NOT Paul Nixon.

FURTHER INFORMATION

More info about the blog (and me) can be found here. If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com.

(Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.)

HOW TO USE THIS BLOG

You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead.

If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. Only people whose records I've already discussed appear there at the moment - more names will be added to the lists all the time as I work my way through Motown's history, so do keep checking back!

Alternatively, the front page displays excerpts from the most recent reviews, and on the right hand side of the screen you'll see a list of the most recent entries and also a sampling of the most popular entries from the last 48 hours, as well as the latest comments left by visitors.

Dive in, explore and have fun!

LEGAL STUFF

This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog.

Where indicated, label scan images appear by kind permission of Lars "LG" Nilsson (as originally prepared for the Complete Motown Singles series).

Digital images courtesy of Gordon Frewin are supplied for use at motownjunkies.co.uk by arrangement. All applicable rights reserved. No unauthorised republication is permitted.

Many label images were kindly provided by Robb Klein, together with invaluable historical research.

All text © Motown Junkies, 2009-19. All rights reserved.

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