197. Gino Parks: “For This I Thank You”
This excellently slinky R&B excursion turns out to be one of the best things Gino ever recorded with the label. (6)
Category Archives: Gino Parks
196. Gino Parks: “Fire”
Just about the loudest and angriest record Motown had released in its first four years of existence. It’s certainly not blues, but it’s no pop record either; it’s almost defiantly uncommercial. (5)
91. Gino Parks: “That’s No Lie”
Parks can’t be accused of holding anything back, giving a full-on hellfire gospel-rock-blues-whatever performance with echoes of James Brown, but it’s wasted on a standard-issue doo-wop backline that seemingly can’t quite decide on what it wants to be, and an underpowered groove that never gets properly into it.
90. Gino Parks: “Same Thing”
It’s not a fantastic song (it’s pretty simplistic and it doesn’t do anything unexpected), but it will get you dancing; this is probably the jauntiest, most alive dancefloor single the label had released since Barrett Strong’s Money (That’s What I Want) almost two years previously, a neater and more commercial song than the Contours’ similarly torrid Whole Lotta Woman a few months before. (6)
74. Gino Parks: “Don’t Say Bye Bye”
A thin, charmless Everly Brothers pastiche, this throwaway B-side from 1959 by “Ron & Bill” wasn’t up to much even on original release, and so quite why it was dusted off and dragged out for another go-round two years later is really anybody’s guess.
73. Gino Parks: “Blibberin’ Blabbin’ Blues”
Another unashamed soundalike which flouts its “inspiration” and barely bothers to cover its tracks; the victim this time is the Coasters’ wacky Yakety Yak, a hit from almost three years previously. It’s not great. (3)
