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Motown Junkies

~ because it's what's in the grooves that counts

Motown Junkies

Category Archives: The Satintones

123. The Satintones: “Faded Letter”

April 8, 2010

An interesting exercise and no more; inconsequential to the point of pointlessness. […click title to read more]

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122. The Satintones: “Zing Went The Strings Of My Heart”

April 7, 2010

Hardly a fitting send-off for a group who never really got the recognition they deserved, either for their place in Motown history or for the handful of exceptional records they released.

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93. The Satintones: “My Kind Of Love”

February 12, 2010

It’s an indicator of where the HDH stable would eventually ply its trade: knocking out a straight pop song with a strong hook and effortless charm, but twisted ever so slightly so that the tune grabs the ear and forms the beginning of an involuntary smile.

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92. The Satintones: “I Know How It Feels”

January 23, 2010

This is a worthy successor to My Beloved and Angel; that should be enough for anyone. (7)

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75. The Satintones: “Angel”

November 13, 2009

This is the last great doo-wop record, a fitting monument to a dying art as well as a superb single in its own right, and the fact that it was only released because Motown were sued into withdrawing a third-rate Shirelles knock-off is one of the luckiest of all the label’s lucky scrapes with history.

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72. The Satintones: “A Love That Can Never Be”

November 6, 2009

Neither engaging or likeable, this is one of the most thoroughly forgettable of all Motown B-sides, making it especially ironic that it ended up being used three times. Poor. (2)

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71. The Satintones: “Tomorrow And Always”

November 6, 2009

literally a note-for-note cover version with slightly different lyrics. Not only that, a note-for-note cover version of a song everyone in the world already knows.

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24. The Satintones: “Sugar Daddy”

October 7, 2009

The Satintones had really upped their game for the A-side of this single, the spectacularly good My Beloved, so it’s more than a little disappointing to see them turning in a fairly pedestrian midtempo R&B number on the flip side, aping the comedy doo-wop of the Coasters with a forgettable tune and slightly ropey harmonies.

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23. The Satintones: “My Beloved”

October 7, 2009

After the slightly ropey harmonising on the previous Satintones records, this one shows that these guys really could do tight harmonies and complicated arrangements after all. Rather unexpectedly, this turns out to be one of the best ’59/’60 Motown singles, all the more welcome for being a surprise. (9)

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14. The Satintones: “Motor City”

October 6, 2009

If you’d asked anyone at the time whether Tamla Records was going anywhere special, whether people would remember Berry Gordy in fifty years’ time, the answer would most likely have been a polite but firm “no, not really”. The next release would change all that.

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13. The Satintones: “Going To The Hop”

October 6, 2009

It’s a nice enough little song, if still not exactly remarkable. It has to be said, though – and I apologise in advance to any surviving Satintones who happen to come across this – that for a vocal harmony group, they just aren’t very good singers. (4)

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Motown Junkies

This is Motown Junkies, an unofficial guide to every Motown single ever released, or planned for release, on every US Motown label (or via Tamla Motown in the UK), featuring reviews of each A-side and B-side in chronological order. New reviews appear every couple of days.

Think of it as an unauthorised track-by-track companion to the magnificent The Complete Motown Singles CD box sets, and beyond, with marks out of ten.

I'm NOT Paul Nixon.

FURTHER INFORMATION

More info about the blog (and me) can be found here. If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com.

(Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.)

HOW TO USE THIS BLOG

You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead.

If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. Only people whose records I've already discussed appear there at the moment - more names will be added to the lists all the time as I work my way through Motown's history, so do keep checking back!

Alternatively, the front page displays excerpts from the most recent reviews, and on the right hand side of the screen you'll see a list of the most recent entries and also a sampling of the most popular entries from the last 48 hours, as well as the latest comments left by visitors.

Dive in, explore and have fun!

LEGAL STUFF

This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog.

Where indicated, label scan images appear by kind permission of Lars "LG" Nilsson (as originally prepared for the Complete Motown Singles series).

Digital images courtesy of Gordon Frewin are supplied for use at motownjunkies.co.uk by arrangement. All applicable rights reserved. No unauthorised republication is permitted.

Many label images were kindly provided by Robb Klein, together with invaluable historical research.

All text © Motown Junkies, 2009-19. All rights reserved.

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