• About Motown Junkies
  • Artists
    • A
      • Alan, Lee
      • Andantes
      • Anthony, Richard
    • B
      • Ben, LaBrenda
      • Blakely, Cornell
      • Bohanon, George
      • Breen, Bobby
      • Burnadettes
      • Burnette, Dorsey
    • C
      • Campbell, Choker
      • Channel, Bruce
      • Charters
      • Chuck-a-Lucks
      • Clark, Chris
      • Contours
      • Crawford, Carolyn
      • Creations
      • Crockett, Howard
    • D
      • Dalton Boys
      • Darnells
      • Day, Danny
      • Dean, Debbie
      • Diamond, Hank & Carol
      • Downbeats
      • Dozier, Lamont
    • E-F
      • Eckstine, Billy
      • Elgins
      • Equadors
      • Four Tops
      • Funk Brothers
    • G
      • Gaye, Marvin
      • Golden Harmoneers
      • Good, Tommy
      • Gorman, Freddie
      • Gospel Stars
      • Greer, Paula
      • Griffin, Herman
      • Griffith, Johnny
      • Griner, Linda
    • H
      • Hamilton, Dave
      • Haney & Armstrong
      • Hartfield, Pete
      • Headliners
      • Heard, Oma
      • Henslee, Gene
      • Hillsiders
      • Hit Pack
      • Holland, Eddie
      • Holland-Dozier
      • Holloway, Brenda
      • Holloway, Patrice
      • Hornets
    • I-J
      • Isley Brothers
      • Joanne & the Triangles
      • John, Mable
      • Johnson, Marv
      • Jones, Wade
    • K-L
      • Kayli, Bob
      • Lands, Liz
      • Lee & the Leopards
      • Leverett, Chico
      • Lewis Sisters
      • Little Iva
      • Little Lisa
      • Little Otis
      • Littles, Hattie
      • Long, Shorty
      • Lumpkin, Henry
    • M
      • Majestics
      • Mallett, Saundra
      • Mann, Columbus
      • Martha & the Vandellas
      • Martin, Tony
      • Marvelettes
      • McCullers, Mickey
      • McKenzie, Don
      • McNair, Barbara
      • Merced Blue Notes
      • Merritt, Billy
      • Mike & the Modifiers
      • Milburn, Amos
      • Miracles
      • Monitors
      • Morrocco Muzik Makers
      • Mullins, Dee
    • N-R
      • Nick & the Jaguars
      • Oddis, Ray
      • Parks, Gino
      • Paul, Bunny
      • Pirates
      • Remus, Eugene
      • Ron & Bill
      • Ruffin, Jimmy
    • S
      • Satintones
      • Sebastian, Joel
      • Serenaders
      • Spinners
      • Strong, Barrett
      • Stylers
      • Supremes
      • Swinging Tigers
    • T
      • Taylor, R. Dean
      • Taylor, Sherri
      • Temptations
      • Terrell, Tammi
      • Turner, Sammy
      • Twistin’ Kings
    • U-V
      • Valadiers
      • Valvano, Mike
      • Van Dyke, Connie
      • Van Dyke, Earl
      • Vells
      • Velvelettes
      • Vows
    • W-Z
      • Walker, Junior (& All-Stars)
      • Ward, (Singin’) Sammy
      • Washington, Earl
      • Wells, Mary
      • Weston, Kim
      • Williams, André
      • Wilson, Frank
      • Wonder, Stevie
      • Woods, Mickey
      • Wright Specials
      • Wylie, Richard “Popcorn”
  • Great Songwriters
  • Labels
    • Britain
    • Chisa
    • Divinity
    • Gordy
    • Inferno
    • Manticore
    • Mel-o-dy
    • Melodyland
    • Miracle
    • Miscellaneous
    • Motown
    • MoWest
    • Prodigal
    • Rare Earth
    • Soul
    • Tamla
    • VIP
    • Workshop Jazz
  • Marks Out Of Ten
    • I Disagree!
  • Master Index
  • Radio

Motown Junkies

~ because it's what's in the grooves that counts

Motown Junkies

Previous articles

683. The Elgins: “Put Yourself In My Place”

December 5, 2014

What we have here is a calling card for a fine new group, in many ways the first “new” Motown signing of the mid-to-late Sixties, the first Motown group born as a “Motown” group. It sounds great, and it’s also a really good record, even if there’s better to come. (7)

Continue reading →

682. Frank Wilson: “Sweeter As The Days Go By”

December 2, 2014

Is it a good record? Yes, absolutely it is – the song is solid, the hooks are catchy, the production is appealing, the lead vocal is okay, the whole package is nice indeed. Would I swap Frank Wilson’s superb upcoming writing and production work behind the scenes for the chance to hear ten or twelve more of these? Not on your life. And apparently, neither would he. (7)

Continue reading →

681. Frank Wilson: “Do I Love You (Indeed I Do)”

November 28, 2014

Your happiness is guaranteed. (10)

Continue reading →

680. The Supremes: “Everything Is Good About You”

October 18, 2014

This is a cartoon relationship, a pick-me-up for lovers everywhere to keep the faith after the relentless emotional pummelling of the A-side, a riposte where for these three minutes, nothing can ever, will ever go wrong, and on with the kissing. Tomorrow can wait.

Continue reading →

679. The Supremes: “My World Is Empty Without You”

October 11, 2014

The music is designed and deployed to devastating effect, the vocal is as good as anything we’ve heard from Diana so far, the whole package is quite startling: this is the saddest-sounding outrageous pop stomper I’ve ever heard, and it’s a masterpiece. (10)

Continue reading →

678. Jr. Walker & the All Stars: “Baby You Know You Ain’t Right”

August 28, 2014

The ingredients all seem to be here for a raucous good-time All Stars jam, but the end result is oddly uninspiring.

Continue reading →

677. Jr. Walker & the All Stars: “Cleo’s Mood”

August 12, 2014

Berry Gordy was vindicated again, the record both gaining plenty of new fans, and selling well; people bought it and people played it, and I find that heartening. Certainly I like this a lot more than I might once have expected to. (8)

Continue reading →

676. Tony Martin: “Spanish Rose”

August 6, 2014

…total, irredeemable garbage, the absolute worst of all Martin’s six sides for Motown, and a fitting note to end one of the most improbable careers in Motown history, as incongruous as anything from Irene Ryan, Albert Finney or the Abbey Tavern Singers. (1)

Continue reading →

675. Tony Martin: “Ask Any Man”

August 4, 2014

Just about Tony Martin’s best single for Motown. Which really isn’t saying very much. (2)

Continue reading →

674. The Miracles: “Choosey Beggar”

August 2, 2014

A success all round, then, leaving aside the nagging curiosity as to what might have happened with just a couple more days’ work: a fitting way to cap the best year so far in the Motown careers of both Smokey Robinson and the Miracles, now restored to their full powers. Roll on 1966. (8)

Continue reading →

673. The Miracles: “Going To A Go-Go”

July 27, 2014

Genuinely excellent, the sort of thing that helps give Motown its good name. And it’s better than anything the Miracles have ever done in this mode until now, there’s no doubt about it. Excellent. Just not quite as excellent as some of the Miracles’ 1965 highlights. (8)

Continue reading →

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MOTOWN JUNKIES

This is Motown Junkies, an unofficial track by track history of Motown: in-depth analysis and discussion of both sides of every Motown single ever released between 1959 and 1988. Enjoy!

 

Index of all reviews to date

Lucky Dip (a random review)


Wales Blog Awards

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Recent Posts

  • 694. The Temptations: “Get Ready”
  • 693. The Four Tops: “Just As Long As You Need Me”
  • 692. The Four Tops: “Shake Me, Wake Me (When It’s Over)”
  • 691. Marvin Gaye: “When I Had Your Love”
  • 690. Marvin Gaye: “One More Heartache”

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Popular Right Now

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Links

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Hand-picked hits, harmonies and hard-hitting soul from the world's greatest record label, specially chosen by Motown historian and writer Steve Devereux. Whether you're new to Motown or a seasoned veteran, you'll find something good here

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Motown Junkies

This is Motown Junkies, an unofficial guide to every Motown single ever released, or planned for release, on every US Motown label (or via Tamla Motown in the UK), featuring reviews of each A-side and B-side in chronological order. New reviews appear every couple of days.

Think of it as an unauthorised track-by-track companion to the magnificent The Complete Motown Singles CD box sets, and beyond, with marks out of ten.

I'm NOT Paul Nixon.

FURTHER INFORMATION

More info about the blog (and me) can be found here. If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com.

(Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.)

HOW TO USE THIS BLOG

You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead.

If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. Only people whose records I've already discussed appear there at the moment - more names will be added to the lists all the time as I work my way through Motown's history, so do keep checking back!

Alternatively, the front page displays excerpts from the most recent reviews, and on the right hand side of the screen you'll see a list of the most recent entries and also a sampling of the most popular entries from the last 48 hours, as well as the latest comments left by visitors.

Dive in, explore and have fun!

LEGAL STUFF

This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog.

Where indicated, label scan images appear by kind permission of Lars "LG" Nilsson (as originally prepared for the Complete Motown Singles series).

Digital images courtesy of Gordon Frewin are supplied for use at motownjunkies.co.uk by arrangement. All applicable rights reserved. No unauthorised republication is permitted.

Many label images were kindly provided by Robb Klein, together with invaluable historical research.

All text © Motown Junkies, 2009-19. All rights reserved.

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