289. The Temptations: “I Want A Love I Can See”
As a song, it’s okay; danceable, likeable, but rather flat and ultimately uninteresting. As an arrangement, a vocal showcase, a calling card for future greatness, it’s nothing short of remarkable. (6)
As a song, it’s okay; danceable, likeable, but rather flat and ultimately uninteresting. As an arrangement, a vocal showcase, a calling card for future greatness, it’s nothing short of remarkable. (6)
Bereft of a catchy tune, or any real hooks in the chorus; it’s all okay, not at all objectionable but never thrilling either. It’s okay. (5)
Somewhat surprisingly, and contrary to popular opinion, actually a better record than You’ve Really Got A Hold On Me. (9)
Almost totally ephemeral and done largely without feeling; its main achievement is to inadvertently highlight what a good job Marvin Gaye had done with the same material. (4)
“Satisfactory”, and yet vaguely unsatisfying. (4)
Completely out of nowhere, this has to be considered one of the best records the early Contours ever made, and it should have become a significant hit single in its own right. (8)
It’s not a terrible record – it shares a lot of the rhythm and danceability of Do You Love Me – but it is mean-spirited, cynical and completely pointless. (2)
A highly interesting diversion, and a bold attempt at trying something new; the result is a pretty, if not earth-shattering record, and should be applauded for its pluck if not its greatness. (5)
An interesting little curio, fun enough while it’s playing even if it’s not something you’d necessarily go back to very often. (4)
As a piece of meaningless instrumental fluff apparently intended as nothing more than space filler, it’s really rather nice. 4
It’s official: this record is scientifically proven to be less fun than root canal surgery, and I never, ever want to hear it ever again. (1)