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Motown Junkies

~ because it's what's in the grooves that counts

Motown Junkies

Category Archives: Writing credit: Smokey Robinson

579. Brenda Holloway: “I’ll Be Available”

February 10, 2013

I still wouldn’t go so far as to say I really liked it, but this is another definite improvement on the original, and if these Mary Wells covers were proving to be chart poison for Brenda, well, on this evidence she was at least getting rather better at doing them. (5)

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578. Brenda Holloway: “Operator”

February 8, 2013

If nobody will be confusing this for a masterpiece any time soon, nonetheless I much prefer this version to the original; finally the song makes sense. Not as a choice of single, mind you. (6)

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555. The Temptations: “What Love Has Joined Together”

December 1, 2012

Pretty much the very definition of Temptations album filler, a pleasant but largely pointless retouching of a song that didn’t have anything wrong with it in the first place. (5)

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554. The Temptations: “It’s Growing”

November 27, 2012

Too much of a glorious mess to have been a huge hit on original release, but it’s both insanely ambitious and impressively executed, and it adds up to yet another excellent side in this magnificent run. (8)

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553. The Miracles: “All That’s Good”

November 24, 2012

A listener at the end of 1964 might well have wondered, with good reason, whether the Miracles really had a place in Motown’s brave new world of corporate greed and thundering cash registers. This pair of sides not only put such doubts to rest, but showed the Miracles to be at the vanguard of the company’s very best acts. Quite exceptional stuff. (8)

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552. The Miracles: “Ooo Baby Baby”

November 21, 2012

At a Q&A event in a high school classroom later in the year, Berry Gordy was asked by one of the students: “How do you find guys like Smokey Robinson?” His reply was curt: “You don’t find guys like Smokey Robinson.” (9)

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550. Marvin Gaye: “I’ll Be Doggone”

November 17, 2012

I love Marvin Gaye. Love him. As you’ll see later, he’s probably my favourite Motown artist. But this – this beautifully-formed little pop record – is wrong, and I’d be lying to myself – and undoing the entire purpose of this blog – if I didn’t call him and Smokey out for it. (5)

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549. Brenda Holloway: “I’ve Been Good To You”

November 13, 2012

I can appreciate how skilfully it’s been made, but I get no emotional connection from it, it doesn’t move me, and ultimately that’s what I want from a pop record, no matter how astonishing the lead vocals are. (5)

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548. Brenda Holloway: “When I’m Gone”

November 11, 2012

Plenty of respected judges, including commenters on this very site, have said they prefer Brenda’s version to Mary’s; I can’t help but wonder how I’d feel if I’d heard the two versions the “right” way round too, because – for me – this one just isn’t a patch on that one. (6)

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521. The Temptations: “My Girl”

August 29, 2012

If My Girl isn’t in your fifty top Motown tunes, I fear nothing can be done for you. (10)

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512. The Miracles: “Baby Don’t You Go”

August 5, 2012

After the bland rock-out blind alley of the A-side, it’s just good to hear the Miracles back on something like their usual form. (7)

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MOTOWN JUNKIES

This is Motown Junkies, an unofficial track by track history of Motown: in-depth analysis and discussion of both sides of every Motown single ever released between 1959 and 1988. Enjoy!

 

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Motown Junkies

This is Motown Junkies, an unofficial guide to every Motown single ever released, or planned for release, on every US Motown label (or via Tamla Motown in the UK), featuring reviews of each A-side and B-side in chronological order. New reviews appear every couple of days.

Think of it as an unauthorised track-by-track companion to the magnificent The Complete Motown Singles CD box sets, and beyond, with marks out of ten.

I'm NOT Paul Nixon.

FURTHER INFORMATION

More info about the blog (and me) can be found here. If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com.

(Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.)

HOW TO USE THIS BLOG

You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead.

If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. Only people whose records I've already discussed appear there at the moment - more names will be added to the lists all the time as I work my way through Motown's history, so do keep checking back!

Alternatively, the front page displays excerpts from the most recent reviews, and on the right hand side of the screen you'll see a list of the most recent entries and also a sampling of the most popular entries from the last 48 hours, as well as the latest comments left by visitors.

Dive in, explore and have fun!

LEGAL STUFF

This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog.

Where indicated, label scan images appear by kind permission of Lars "LG" Nilsson (as originally prepared for the Complete Motown Singles series).

Digital images courtesy of Gordon Frewin are supplied for use at motownjunkies.co.uk by arrangement. All applicable rights reserved. No unauthorised republication is permitted.

Many label images were kindly provided by Robb Klein, together with invaluable historical research.

All text © Motown Junkies, 2009-25. All rights reserved.

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