• About Motown Junkies
  • Artists
    • A
      • Alan, Lee
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    • B
      • Ben, LaBrenda
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    • C
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    • D
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    • E-F
      • Eckstine, Billy
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    • G
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    • H
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    • K-L
      • Kayli, Bob
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    • M
      • Majestics
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      • Mann, Columbus
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      • Martin, Tony
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      • McKenzie, Don
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      • Miracles
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    • N-R
      • Nick & the Jaguars
      • Oddis, Ray
      • Parks, Gino
      • Paul, Bunny
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      • Ron & Bill
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    • S
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    • T
      • Taylor, R. Dean
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    • U-V
      • Valadiers
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      • Van Dyke, Connie
      • Van Dyke, Earl
      • Vells
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    • W-Z
      • Walker, Junior (& All-Stars)
      • Ward, (Singin’) Sammy
      • Washington, Earl
      • Wells, Mary
      • Weston, Kim
      • Williams, André
      • Wilson, Frank
      • Wonder, Stevie
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Motown Junkies

~ because it's what's in the grooves that counts

Motown Junkies

Category Archives: Writing credit: Berry Gordy

217. Singin’ Sammy Ward: “Someday Pretty Baby”

September 11, 2010

A cracking record, a rollicking, hot-tempered midtempo number – sat astride the imaginary line that divides “R&B-flavoured blues” and “bluesy R&B” – that demands to be turned up loud. (9)

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209. Saundra Mallett & The Vandellas: “It’s Gonna Be Hard Times”

August 25, 2010

Not a single, and hardly a classic, it’s still a nice song – but it’s a poor match of vocalist and material. (5)

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208. Saundra Mallett & The Vandellas: “Camel Walk”

August 24, 2010

Really just an excuse to tell the story of Martha and the Vandellas. The record? Not terrible, by any means, not even bad – it’s just a big ol’ plate full of “totally average”, which given the pedigree of everyone involved is a crushing disappointment. (5)

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193. The Contours: “Move Mr Man”

July 15, 2010

Not awful, by any means, but the image of the Contours conjured for new listeners by Do You Love Me is slightly dispelled here. (4)

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192. The Contours: “Do You Love Me”

July 14, 2010

A good example of an inspired match between performer and material; the Contours’ performance makes a thin song into a super record, while Berry Gordy’s song briefly makes a bunch of tone-deaf dancers into a star recording group. (8)

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185. Little Stevie Wonder: “I Call It Pretty Music But The Old People Call It The Blues (Part 2)”

June 28, 2010

I don’t care if someone’s 12 or 72, if they can play the harmonica like this, let them play it all day long. (6)

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184. Little Stevie Wonder: “I Call It Pretty Music But The Old People Call It The Blues (Part 1)”

June 28, 2010

This first single is little more than a calling card, an introduction to a cartoon character – gather round, everyone, and let’s all coo at the adorable blind tween! A poor first showing, then, for one of the all-time greats. Other than as a showcase for Stevie’s spectacular harmonica work, it’s really not very good at all. (3)

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182. The Valadiers: “Because I Love Her”

June 26, 2010

This is by no means a terrible record, there are some neat touches, but overall, it’s not especially memorable, nor especially well-performed. (4)

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169. The Marvelettes: “All The Love I’ve Got”

May 29, 2010

It’s not awful, but it’s highly nondescript. Helpfully, though, this record marks a sort of staging post for the Marvelettes: the end of a digressionary, dead-end period. 3

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167. The Miracles: “You Never Miss A Good Thing”

May 24, 2010

Hardly a patch on the stellar A-side, this is still a very good record well worth a listen. (6)

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163. The Temptations: “Isn’t She Pretty”

May 20, 2010

A fun, frothy, meaningless doo-wop ditty, which coming from a group like the Temptations is both highly enjoyable and maddeningly limited. (6)

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MOTOWN JUNKIES

This is Motown Junkies, an unofficial track by track history of Motown: in-depth analysis and discussion of both sides of every Motown single ever released between 1959 and 1988. Enjoy!

 

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Motown Junkies

This is Motown Junkies, an unofficial guide to every Motown single ever released, or planned for release, on every US Motown label (or via Tamla Motown in the UK), featuring reviews of each A-side and B-side in chronological order. New reviews appear every couple of days.

Think of it as an unauthorised track-by-track companion to the magnificent The Complete Motown Singles CD box sets, and beyond, with marks out of ten.

I'm NOT Paul Nixon.

FURTHER INFORMATION

More info about the blog (and me) can be found here. If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com.

(Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.)

HOW TO USE THIS BLOG

You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead.

If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. Only people whose records I've already discussed appear there at the moment - more names will be added to the lists all the time as I work my way through Motown's history, so do keep checking back!

Alternatively, the front page displays excerpts from the most recent reviews, and on the right hand side of the screen you'll see a list of the most recent entries and also a sampling of the most popular entries from the last 48 hours, as well as the latest comments left by visitors.

Dive in, explore and have fun!

LEGAL STUFF

This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog.

Where indicated, label scan images appear by kind permission of Lars "LG" Nilsson (as originally prepared for the Complete Motown Singles series).

Digital images courtesy of Gordon Frewin are supplied for use at motownjunkies.co.uk by arrangement. All applicable rights reserved. No unauthorised republication is permitted.

Many label images were kindly provided by Robb Klein, together with invaluable historical research.

All text © Motown Junkies, 2009-25. All rights reserved.

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