217. Singin’ Sammy Ward: “Someday Pretty Baby”
A cracking record, a rollicking, hot-tempered midtempo number – sat astride the imaginary line that divides “R&B-flavoured blues” and “bluesy R&B” – that demands to be turned up loud. (9)
A cracking record, a rollicking, hot-tempered midtempo number – sat astride the imaginary line that divides “R&B-flavoured blues” and “bluesy R&B” – that demands to be turned up loud. (9)
Not a single, and hardly a classic, it’s still a nice song – but it’s a poor match of vocalist and material. (5)
Really just an excuse to tell the story of Martha and the Vandellas. The record? Not terrible, by any means, not even bad – it’s just a big ol’ plate full of “totally average”, which given the pedigree of everyone involved is a crushing disappointment. (5)
Not awful, by any means, but the image of the Contours conjured for new listeners by Do You Love Me is slightly dispelled here. (4)
A good example of an inspired match between performer and material; the Contours’ performance makes a thin song into a super record, while Berry Gordy’s song briefly makes a bunch of tone-deaf dancers into a star recording group. (8)
I don’t care if someone’s 12 or 72, if they can play the harmonica like this, let them play it all day long. (6)
This first single is little more than a calling card, an introduction to a cartoon character – gather round, everyone, and let’s all coo at the adorable blind tween! A poor first showing, then, for one of the all-time greats. Other than as a showcase for Stevie’s spectacular harmonica work, it’s really not very good at all. (3)
This is by no means a terrible record, there are some neat touches, but overall, it’s not especially memorable, nor especially well-performed. (4)
It’s not awful, but it’s highly nondescript. Helpfully, though, this record marks a sort of staging post for the Marvelettes: the end of a digressionary, dead-end period. 3
Hardly a patch on the stellar A-side, this is still a very good record well worth a listen. (6)
A fun, frothy, meaningless doo-wop ditty, which coming from a group like the Temptations is both highly enjoyable and maddeningly limited. (6)